Spoken Word in Music: "Alan's Psychedelic Breakfast".Shaped Like Itself: During the "Atom Heart Mother" sound collage, a loud announcement declaring "This is a loud announcement!" can be heard.Scatting: The "Funky Dung" section in "Atom Heart Mother".Sampling: The gunnery and motorbike sounds on the album.Psychedelic Rock: "Alan's Psychedelic Breakfast".Once an Episode: "If", "Summer '68", "Fat Old Sun".Ominous Latin Chanting: At around 13 minutes into the title track.Non-Appearing Title: The album title doesn't appear in any of the lyrics.Longest Song Goes First: The album kicks off with the Title Track, which takes up the entire first side.Nick Mason spotted a newspaper headline about a pregnant woman who had been fitted with an atomic-powered pacemaker. Line-of-Sight Name: How the album and the suite got its title.Granola Girl: In "Alan's Psychedelic Breakfast", Alan jokes about the macrobiotic food popular among hippies in Los Angeles at the time.įrom your bed I gained a day and lost a bloody year.Instrumental: "Alan's Psychedelic Breakfast", " Atom Heart Mother".Epic Rocking: The Title Track (23:44) and "Alan's Psychedelic Breakfast".Book Ends: While the album itself lacks them, "Alan's Psychedelic Breakfast" begins and ends with a drip tap, which is cut into the run-out groove on the original vinyl so it will repeat endlessly on turntables without an auto return.Richard Wright - lead vocals, keyboard, organ, mellotron, piano.Roger Waters - lead vocals, bass, guitar, tape effects.Nick Mason - drums, percussion, tape effects.David Gilmour - lead vocals, guitar, bass, drums, percussion."Alan's Psychedelic Breakfast" (13:00?) note The dripping faucet that closes out the song is part of a locked groove on LP releases, which would technically make the song's runtime "however long it takes for you to lift the needle off the record if your turntable doesn't automatically stop when it gets to the end.".The album has major contributions from Ron Geesin, whom had previously worked with Roger Waters on the soundtrack for the documentary film The Body.
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Oddly, Pink Floyd never made a full psych-folk album in the vein of “If” and Gilmour’s “Fat Old Sun,” which becomes even more of a shame when they end Atom Heart Mother with “Alan’s Psychedelic Breakfast,” a cut-and-paste assemblage of sounds that never coalesces into much of anything.Atom Heart Mother is the fifth studio album by Pink Floyd, released in 1970 through Harvest Records. In particular, Waters’ “If” stands among his best compositions, and with his low vocals and Richard Wright’s breezy piano, the song actually brings to mind Nick Drake’s first two records (trivia: Drake’s producer, Joe Boyd, also helmed Pink Floyd’s first single, “Arnold Layne,” in 1967). The results are somewhat better, though, and almost uniformly folksy. The second half borrows the least productive idea from Ummagumma and divides songwriting duties among the band. In this case, they cast an orchestra and a choir as the leads, and the horn fanfare and choral harmonies hint at the even more ambitious arrangements throughout that decade. But “Atom Heart Mother”-all six movements-at the very least shows the band developing and entertaining new ideas, consciously moving away from the space rock label they’d been saddled with. Yes, the album stretches its six-part title track across an entire LP side, and yes, that suite meanders wildly and seemingly without purpose, as though they’re making it up as they go along but getting distracted almost constantly. They’re not exactly wrong, but they’re not exactly right either. Roger Waters and David Gilmour have spent 40 years playing this 1970 album down, labeling it pompous, overblown, embarrassing-a low point in the band’s creative history.
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